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My Portrait: http://portraitoftheyoungarchitect.blogspot.com

livelymorgue:

June 18, 1978: An abandoned pier collapsed into the Hudson River at Bethune Street in Greenwich Village, but that didn’t faze sunbathing New Yorkers. After all, they considered the piers their beaches, according to an article published two years later. “The pier in the Village replaces the stoop,” one West Village resident, Robert Lienhardt, was quoted as saying. “There is no other major place to get the sun.” Photo: Paul Hosefros/The New York Times

ico:

Syracuse University Unveils First Phase of Marcel Breuer Digital Archive | ArchDaily

zumthor:

Winter at Steilneset

 Building for the artwork and the information centre. The information centre, constructed on piles, is 125 metres long and provides information on the witch-hunts and their victims. Building for the artwork is constructed of glass and steel. Photo: Bjarne Riesto

Via.

“L.E.S. Quarry” by Rebecca Fode at Bartlett School of Architecture.
fuckyeahbrutalism:


Hermes Student Club, Rotterdam, Netherlands, 1964-66
(Van den Broek/Bakema)
fuckyeahbrutalism:

Monument, Villa-Lobos Park, Sao Paolo, Brazil
(Decio Tozzi, 1987)

subtilitas:

Hans-Jorg Ruch - Chesa Plagnoula renovation, Zuoz 2009.

betonbabe:

WILLIAM FORSYTHE 
THE DEFENDERS PART 1, CHOREOGRAPHIC WORK, 2007
“In ‘The Defenders’, an evolutionary allegory stretches out under an oppressive, sensitizing canopy. Questioning the idea of civilization and moving from the primordial to the heights of human achievement, each passing scene extends an ironic spectrum of questions about the progress of mankind.”
sawaru:

betonbabe:

OSCAR NIEMEYER
NATIONAL THEATER IN BRASILIA, 1960-65
…looks like a stealth bomber
betonbabe:

DONALD JUDD 
GALVANIZED IRON WALL, 1974
whitehotel:

Drew Daly, Remnant chair (2004-05)